Led Zeppelin — “Kashmir”: The Desert Epic in DADGAD

1975 · Behind the Songs

Eight and a half minutes of ascending riff and orchestra — rock’s grandest journey.

The Himalayas seen from space.
The Himalayas seen from space. Photo: NASA, Wikimedia Commons, public domain. Source. Display resized; no retouching.

“Kashmir” is the towering centerpiece of Physical Graffiti, the double album Led Zeppelin released in February 1975. Written by Jimmy Page, Robert Plant and John Bonham, it was built on a riff Page devised in DADGAD tuning and recorded in 1974 at Headley Grange in Hampshire.

The Matterhorn at sunset.
The Matterhorn at sunset. Photo: Sam Ferrara, Wikimedia Commons, CC0 1.0. Source. Display resized; no retouching.

Running 8:37, the track pairs the band with orchestral strings and brass arranged by John Paul Jones — the grandest sound the band ever attempted. Plant’s lyrics were inspired by a 1973 drive through the deserts of southern Morocco, though the song is titled for Kashmir, a place he had never visited. It was never released as a single, yet it became a permanent live centerpiece, and Page has called it one of his proudest achievements.

What to listen for: the endlessly ascending riff grinding against Bonham’s drums, and the moment the orchestra enters and the song becomes something bigger than rock.

Listening observations are original Past Tunes interpretation. Photographs reproduced under the reuse terms shown in their captions.

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