Gloria Gaynor — “I Am What I Am”: A Broadway Anthem Finds Its Voice

1983 · Behind the Songs

How a Broadway show tune became a declaration of identity — and Gaynor’s second anthem.

The Astor Theatre at 45th Street and Broadway, Manhattan.
The Astor Theatre at 45th Street and Broadway, Manhattan — the world the song came from. Photo: Wurts Bros., Wikimedia Commons, public domain. Source. Display resized; no retouching.

In 1983, Broadway composer Jerry Herman wrote a showstopper for his new musical La Cage aux Folles — a defiant, brassy declaration of self-acceptance called “I Am What I Am,” sung in the show by a drag performer refusing to apologize for who he is. It was a great theater song. But when Gloria Gaynor — the woman who had given the world “I Will Survive” — recorded it as a single that same year, it became something more: a second anthem, and one of the defining statements of LGBTQ pride in the 1980s.

The fit was almost eerily perfect. “I Will Survive” had been about enduring; “I Am What I Am” was about celebrating — the next step in the same journey. Gaynor, whose voice had already carried one generation-defining declaration of resilience, brought the same conviction to Herman’s lyric. She didn’t sing it as a cover of a show tune; she sang it as a personal creed, and her audience — particularly the gay audiences who had embraced her since the disco days — heard it that way too.

The single gave Gaynor a renewed presence in the 1980s, a decade when disco’s commercial collapse had sidelined many of her peers. More importantly, it cemented her unique status: the rare artist with not one but two songs that function as anthems of identity and survival. Where “I Will Survive” belonged to everyone, “I Am What I Am” belonged especially to those asserting the right to be themselves — and Gaynor, who had fought her own battles in the music business, sang it like she knew exactly what that meant.

A Broadway theatre marquee.
A Broadway theatre marquee. Photo: Onasill – Bill Badzo, Wikimedia Commons, public domain. Source. Display resized; no retouching.

Listen for the theatricality — this is Gaynor at her most dramatic, embracing the song’s Broadway roots rather than smoothing them out — and for the joy underneath the defiance. “I Am What I Am” doesn’t plead or explain; it declares. In the arc from “Never Can Say Goodbye” to “I Will Survive” to this, you can hear an artist’s whole philosophy: first you dance, then you survive, then you stand up and tell the world exactly who you are.

Listening observations are original Past Tunes interpretation. Photographs reproduced under the reuse terms shown in their captions.

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