Johnny Mathis / Behind the Songs
A Certain Smile: The Oscar-Nominated Whisper
A film song, an Oscar nomination, and proof that understatement can be the boldest choice of all.

The record in context
“A Certain Smile” was written by Sammy Fain and Paul Francis Webster for the 1958 20th Century Fox film of the same name, based on the Françoise Sagan novel. Johnny Mathis — following his small role in Lizzie the year before — was brought in to sing the title song in the film, and his recording was released as a single in 1958, reaching No. 14 on the American pop chart. The song was nominated for the Academy Award for Best Original Song.
It was Mathis’s second brush with the Oscars in two years, after “Wild Is the Wind.” Hollywood had figured out what Columbia already knew: if you needed a song sung beautifully, without fuss, there was exactly one call to make.
Listen closely
The song is a wisp — a melody so delicate it barely seems to touch the ground — and Mathis treats it accordingly. This is perhaps the quietest hit single of his career: he sings at something close to a whisper throughout, and the effect is mesmerizing. Listen to the title phrase: “a certain smile” is delivered with such tenderness that the smile itself seems to appear in the room.
The art here is in what he withholds. A lesser singer would build to a big finish; Mathis never does. The song stays small, intimate, almost private — as if he’s singing it to one person rather than to a record-buying public. Notice the breath control in the longer phrases: he sustains the line without any audible effort, the sound simply continuing, like a thought that doesn’t want to end.
There’s a case to be made that this is the purest distillation of the Mathis style: no drama, no climax, just beauty sustained. The Oscar nomination recognized the song, but the recording is what lasts — a reminder that in an era of increasing pop bombast, the bravest thing a singer could do was whisper. Mathis built a sixty-year career on that insight.
Play it after “Wild Is the Wind” and you hear two consecutive film songs, two consecutive Oscar nominations, two completely different emotional temperatures — one elemental, one intimate. Same voice, same year, total command of both.
Discography and chart reference ↗
Release context is sourced above. Listening observations are Past Tunes’ original interpretation, not quotations from the artist.
More from Johnny Mathis
The single that introduced the voice — and started the greatest year in pop.
1957 / Behind the SongsIt’s Not for Me to Say: The Movie Song That Outlived the MovieA small role in Lizzie, a Top 5 hit, and a song that never left.
1957 / Behind the SongsChances Are: The Song That Made a SummerRecorded in June, No. 1 by October — the making of a signature.
1957 / Behind the SongsThe Twelfth of Never: The B-Side That Refused to Stay ThereHe didn’t like it. Radio played it anyway — all the way to No. 9.
1957 / Behind the SongsWild Is the Wind: The Title Song That Outlived Its FilmHe recorded it first; history remembers the covers. Hear the original.
1959 / Behind the SongsMisty: The Teenager’s Request That Became a SignatureHe asked Erroll Garner for lyrics as a boy. A decade later, he made it immortal.
1962 / Behind the SongsGina: The Early-Sixties ComebackThe rock era arrived; Mathis answered with a Top 10 ballad.
1963 / Behind the SongsWhat Will Mary Say: Gossip Set to MusicA small-town scandal in three minutes — his last Top 10 for fifteen years.
1978 / Behind the SongsToo Much, Too Little, Too Late: Twenty-One Years Between Number OnesA duet with Deniece Williams, and the longest gap between No. 1s in pop history.