Petula Clark / Behind the Songs
My Love: The Second American Number One
Tony Hatch’s ballad, Clark’s conviction, and a chart-topper in three languages.

The record in context
“My Love,” written by Tony Hatch, was released in December 1965 and reached number one in America in February 1966 — Clark’s second US chart-topper, and confirmation that the “Downtown” breakthrough was the start of something, not a one-off. The song was recorded in English, French, and German, and it topped the charts in multiple countries, a reminder of Clark’s unusual status as a genuinely international star in an era when most pop singers barely left home.
The record is interesting because it is the least “conceptual” of the big Clark-Hatch hits. No city, no hidden club, no social message — just a direct, open-hearted love song. And that simplicity was the risk. After the clever urban narratives of “Downtown” and “I Know a Place,” could Clark hold an audience with nothing but feeling? The answer, delivered at number one, was yes.
Listen closely
Start with the vocal entrance. Clark begins almost conversationally — “My love is warmer than the warmest sunshine” — and the line could sound like a greeting card. Listen to what she does to rescue it: the warmth in her tone is real, unforced, the sound of someone who means every word. This is the great Clark gift — she can sing the simplest lyric without a trace of condescension, and make simplicity feel like honesty.

Now listen to the arrangement, which is Hatch at his most lush: strings swelling, brass punctuating, the whole production glowing like a sunset. Notice how the orchestra never overwhelms the voice — it frames it, lifts it, carries it. Listen to the way the strings answer Clark’s phrases in the second verse, like a conversation. This is a producer who knows exactly what his singer needs: not competition, but support.
Finally, listen to the climax, where Clark opens up fully on the repeated title. There is no trick here, no clever twist — just a great singer singing a great melody at full power. And that is the revelation of “My Love”: after all the sophisticated city songs, Clark proves she can do the oldest thing in pop music — a straight love ballad — better than almost anyone. The directness is the sophistication.
Artist biography and career overview ↗
Release and recording reference ↗
Release context is sourced above. Listening observations are Past Tunes’ original interpretation, not quotations from the artist.
More from Petula Clark
A lyric finished in a washroom becomes the first US number one by a British woman.
1965 / Behind the SongsI Know a Place: A Love Letter to the UndergroundThe follow-up that proved Downtown was no accident.
1967 / Behind the SongsThis Is My Song: Charlie Chaplin’s Gift That Tony Hatch HatedThe song her producer refused to touch — and her biggest British hit.
1967 / Behind the SongsDon’t Sleep in the Subway: Three Songs Sewn Into OneHatch and Trent stitch fragments into a late-night classic.
1966 / Behind the SongsColor My World: The Optimist’s AnthemThe brightest record of the run, and the most deceptively simple.
1966 / Behind the SongsI Couldn’t Live Without Your Love: The Song Written by NewlywedsHatch and Jackie Trent write their own romance into the lyric.
1965 / Behind the SongsRound Every Corner: The Optimist Keeps WalkingThe 1965 single that bottled the decade’s forward motion.
1966 / Behind the SongsWho Am I: The Social Conscience of Swinging LondonPop stardom pauses to ask an uncomfortable question.
1966 / Behind the SongsSign of the Times: The Prophecy That Missed the RevolutionA song about changing times, released just as the times changed.