How Sweet It Is: Joy, Finally Uncomplicated

1975 · Behind the Songs

A Motown cover that lets the sunshine in.

A small sailboat gliding across bright water.
A small sailboat gliding across bright water — pure, uncomplicated pleasure. Photo: Ahunt. Source · CC0. Display resized; no retouching.

The recording in context

By 1975, James Taylor’s reputation was built on introspection — the whisperer of “Fire and Rain.” So his decision to cover Marvin Gaye’s exuberant “How Sweet It Is (To Be Loved by You)” was a small act of liberation. Released on the Gorilla album, Taylor’s version climbed to number five on the Hot 100, proving that the gentlest voice in rock could also throw a party. The Holland-Dozier-Holland classic, a 1964 Motown hit, got a second life in flannel.

Listen closely

The first surprise is the groove — this is a James Taylor record you can move to. Listen to how the rhythm section pushes where his records usually breathe; the bass walks with a Motown bounce, and Taylor rides it with an ease that suggests he’d been waiting years to cut loose. His vocal, usually so careful, gets a little rough around the edges here, and the roughness is the point: joy, finally allowed to be loud.

Then there’s the matter of Carly Simon’s backing vocal, floating through the choruses. The couple were folk-rock royalty at the time, and hearing them sing together — two voices in obvious delight — turns the song into a document of a marriage at its happiest. Listen to the call-and-response in the final choruses: it’s flirtation set to music.

A surfer riding a wave at sunset.
A surfer riding a wave at sunset — the sound of letting go. Photo: Asaf R (via Unsplash). Source · CC0. Display resized; no retouching.

The cover worked because Taylor didn’t try to out-sing Marvin Gaye — he simply let the song’s joy do what his own songs rarely allowed: exist without a shadow. It remains the sunniest entry in his catalogue, and a reminder that even the most serious artists need a day at the beach.

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Sources & editorial note

Listening observations are original Past Tunes interpretation. Photographs reproduced under the reuse terms linked in each caption; the photographs do not document the song’s recording session.

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